- 7. Mai 2023
- Posted by:
- Category: Allgemein
Programme ideas for BBC television are submitted via the online proposal system BBC Pitch. Chinny will be responsible for ensuring Diversity and Inclusion is at the heart of everything the BBC does, and the Corporation accurately reflects the audiences it serves, both on and off air. template Standard development agreement (pdf), See the Archives, rights and clearances page, Finance and invoicing page for information about the DUK framework. b) In reporting and accounting to the BBC its share of Net Revenue; Producers shall ensure that timely and clear statements are sent to the BBC every six (6) months by the Producer or its appointed Distributor. Content acquisition:Where the BBC buys rights to exhibit content (which could include via online) that is already made such as films, foreign language drama, etc. Additionally, Rachel Ashdown has been appointed Lead Commissioner for the BBCs delivery of the Eurovision Song Contest 2023. Co-commission of the hit adventure reality competition show Destination X follows the recent global phenomenon of The Traitors, another co-commission between the two broadcast giants. A competitive tender is where we invite production companies to pitch for the opportunity to make an existing returning series on a work for hire basis. This means that where part of the budget expenditure for a programme qualifies for TTR and the producer applies for it, the funds released from HMRC as a result are expected to be used to support UK production budgets. The Producer shall not knowingly do anything which might serve to undermine this principle and will ensure that its Distributor(s) also adhere to these principles. Wales -BBC Wales Podcast Questions or follow-up conversations with jeremy.grange@bbc.co.uk BBC Wales -BBC Sounds Commissioning Top-Up Round Tariffs (Guide Price Only): -Strand (a weekly podcast of 25 episodes or more): approx. make an initial decision to reject an. The Supplier owns the rights in any new stand-alone experience. It may be possible for the BBC to agree a reduced licence period. For the avoidance of doubt, any change to the standard form of agreement which amounts to a change to the terms contained in the Framework can only be made with the agreement of Pact. Fill & Sign Online, Print, Email, Fax, or Download Get Form Form Popularity bbc tariff form Get Form eSign Fax Tariffs mainly benefit the importing countries, as they are the ones setting the policy and receiving the money. The BBC shall be entitled to receive a standard share of back end revenue from all exploitation of the programme as follows: a) For exploitation in the UK by way of linear television and commercial VOD during the BBCs licence period of rights released in accordance with the published Release Policy:20%, b) For exploitation of DTO/permanent digital ownership rights in the UK during the BBCs licence period:20%, c) For all other exploitation of the programme(including post licence): 10%. The producer shall be in control of licensing the rights in their content which are primarily and directly designed to generate secondary commercial revenues, subject to: a) a period of exclusivity in favour of the BBC which is sufficient for the BBC to deliver its audience promise; b) certain provisions to protect the value of the BBCs licence, reputation, and the investment it has made into the content and the contents brand; c) an appropriate share of revenue payable to the BBC: and. Please note that any guidance or opinion given by such internal departments is for the BBC's own purposes and should not be taken to constitute legal advice to your company. The opportunity is open to all producers who fulfil the eligibility criteria and the production must qualify as Wales under the Ofcom criteria. BBC wishes to commission an entirely new TV programme based on the suppliers same idea. In the context of the Key Principles set out in paragraph 2 above, the provisions outlined below describe the standard position the BBC will adopt in its commissioning agreement with independent producers. We are committed to finding and nurturing the best ideas and creatives, on and off screen, New opportunities and commissioning briefs. - ensure that the core public service propositions for the content are not undermined in the eyes of the licence fee payer and make it very clear to the audience what is provided by the licence fee funding, and what must be purchased or funded through commercial opportunities. In giving its approval, the BBC will only be commenting on issues affecting the BBC (for example additional payments such as repeats and entitlements to net, compliance with BBC policies and any reserved rights that may undermine the General terms) and not on any other aspects that may affect the independent production company but not the BBC. The relevant material would be commissioned and/or licensed for a separate licence fee to be agreed between the parties, and calculated by reference to the additional and reasonable costs of production. Typically: The BBC collaborates with an outside organisation. the BBC has the sole and exclusive option to commission, use and/or exploit Additional Material subject only to the independent producer's rights under paragraph 4 below. Separately, BBC Worldwide receives revenues in respect of such retransmissions of commissioned programmes, such revenues being in respect of the licensing of the rights of the BBC as the broadcaster in its channels of these programmes and of the other works included in them. The BBC needs to make its content continue to appeal and be available where and when audiences want it. The audience offer is anticipated to focus on the BBC Four Collection Releases which support major broadcast seasons and series. acknowledge receipt of new ideas submitted to BBC Pitch within one week. Shortlisted writers are offered opportunities across different Writersroom groups including the Drama Room and Voices development groups. To help achieve our ambitions we have made two commitments which came into effect on 1 April 2021: The two commitments are independent of each other, but both focus on underrepresented groups. The following provisions shall apply to new commissions from 1 January 2021 (unless it is mutually agreed between an individual Producer and the BBC to apply them sooner than that): The BBCs arrangements with Equity and WGGB/WDP for iPlayer clearances will apply to independent productions commissioned by the BBC. In relation to the other packages as listed in the Code of Practice, the payment described shall be to replicate the number of transmissions stated in the package. Prior to making any substantive changes to the standard form agreement to be used for commissioning individual independent producers, the BBC will consult with Pact and will give good faith consideration to any comments raised by Pact to any proposed changes. The BBC will review and update these guidelines as its needs and the market evolves. It sets out the timetable for the negotiations of the commissioning agreement, the rights, programme prices and payments. Get BBC services free at the point of use, in ways and on devices that suit them; WatchBBC programmes on demand for a reasonable period for free, at home and on the move; Get hold of all recent BBC programmes and be treated to the best of the BBCs library of programmes in trusted environmentswith a permanent collection available for free, and paying for other content which would otherwise not be available. Final decisions on what gets commissioned are made collaboratively between the genre teams, the channels and iPlayer. The BBC and PACT are currently examining clearance costs for iPlayer use of programmes commissioned by BBC Four, and further iPlayer use of local commissions. Programme Clips for Permanent Download-to-Own e.g. d) the BBC recognises that other stakeholders (for example the producer itself and any commercial distributors) may have invested in the content. the independent producer should discuss its proposals and ideas to produce Additional Material with the BBC at the earliest opportunity and before investing its own resource in Additional Material propositions; it is in both parties' interests for the BBC to communicate its intention to commission and/or license the Additional Material as early as possible in the Programme commissioning/production process and the BBC encourages independent producers to include any proposals for Additional Material as part of the proposal for the overall Programme commission; should the BBC decide not to exercise its option under paragraph 3.2(b) above, the BBC will grant written consent under paragraph 3.2(a) above, provided that in the BBC's sole discretion, the BBC's public service offering in connection with the Programme and/or Additional Material is not thereby compromised, confused or undermined with regards to the audience. In line with Clause 10 of the BBC Code of Practice, this Framework will be reviewed on a three-yearly basis,or sooner if mutually agreed. outside the UK) in accordance with the General Terms. Business and contractual information - Production and Delivery - BBC The BBC expects to receive 50% of net revenue, which can be reduced, for example, if the Supplier has already funded a pilot or similar development work; or made other significant contribution into funding the digital experience; or is bearing a degree of the risk; or in relation to specific types of exploitation (e.g. This page details the Code and Business framework that governs the commissioning of TV content from independent suppliers along with information about standard programme production agreements (contracts). In addition to the primary rights licence fee (but not relevant for the purposes of the section below entitled "Funding above the Primary Rights Licence Fee"), the BBC will pay for the actual costs of cash-flowing the primary rights licence fee (e.g interest, arrangement fees and legal fees) all of which have been pre-agreed with the BBC. All exploitation of Additional Material and Programme clips must comply with the BBC Guidelines, carry appropriate BBC branding and adhere to any relevant compliance requirements (programme compliance, legal and regulatory compliance etc) for so long as the BBC is commissioning the Programme and/or has a subsisting re-commissioning right in the Programme. fund the commission at a level above the primary rights licence fee; underwrite the risk of securing third party investment into a production; otherwise accept responsibility for a commercial risk on the project in a manner not applicable to the standard contractual position; provide access to business affairs/production expertise as a resource to the production. This is commissioning that does not fall within the business framework for Television. Download the BBC commissioning process framework (pdf)or visit the How we commission page of the commissioning website for further information about our commissioning process. The Code of practice was agreed withOfcom. 1% of the primary rights licence fee paid for the relevant series or episode in order for the BBC to purchase an additional year of non-exclusive use on any online, interactive television or other new media services forming part of the BBC Public Services and each such purchase of an additional 12 months shall reduce the length of the licence period by 4 months,except for BBC Three whereby it reduces by 6 months. As part of the BBC's focus on partnering with the nations this must be avoided. In the case of returning series, the BBC will have the opportunity to renew the exclusive licence for all previous series while the programme is still being commissioned (save that for any renewals beyond the first licence renewal (ie 7 years), the holdback relating to television sales by the independent producer in the UK shall be limited to public service broadcasters). Currently Editor of BBCs The One Show, Rob will start his new role in the coming months and will report into Kate Phillips, the BBCs Director of Unscripted. If a producer is unhappy with how they or their idea has been treated they should raise this with the relevant genre in the first instance. Programme ideas are sent to a commissioner within the appropriate genre team via our online submission system BBC Pitch. Further extensions to the licence period can be mutually agreed on individually negotiated terms if this is acceptable to both parties. These guidelines set out the rights models the BBC uses when it commissions stand-alone non-linear audience facing digital experiences, from digital content to apps games and software. BBC shall commission the TV programme under the BBCs Business Framework for The Commissioning of Independent Productions. acknowledge receipt of new ideas submitted to BBC Pitch within one week. Both types of opportunity are advertised on this website. A successful proposal will be given approval by the relevant head of commissioning. In this case, the client of the relevant legal department is the BBC and, in most cases, advice will be provided direct to the BBC's commissioning executive or business affairs representative for the programme in question. How we commission - Commissioning - BBC Director of BBC Childrens and Education, Find commissioning contacts across genres, Technology, software and digital services, Working with you to achieve our strategic priorities, Our diversity, representation and inclusion strategy, Our environmental sustainability strategy, Ofcoms Operating Licence for the BBC (pdf), business and contractual information page, support for indies in the Nations and English regions page, the stages of the process and award criteria (pdf). This encompasses the mindful choices that can be made around sustainable settings or behaviours on screen as well as the subjects or themes of a production where relevant. The Producer will warrant that the relevant TTR legislation is complied with and any surplus will be deployed for the stated policy purpose. Ex-UK during and beyond BBC licence period: 10%. commissioning deals and rights packages are agreed within the terms of trade. Examples of current BBC strategic projects include the BBCs requirement for a broader set of public service rights in order to include a programme in the BBCs permanent collection; or to meet BBC Learnings strategic objectives online; or if a programme is commissioned for BBC Alba; or where the BBC agrees to assume specific commercial risks on behalf of the independent producer.
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